LIFE BEYOND TOURISM BLOG

November 24, 2010

Live again Kratky’s photo-exhibition in Florence!

During the week of November 15, 2010 until November 21, 2010, we had the pleasure of attending a photo exhibition by a Czech photographer, Frantisek Kratky. The exhibition was held at the Auditorium al Duomo, right  in  the centre of Florence, and is another part of our expanding Life Beyond Tourism project.

The exhibition formally opened on the evening of November 15, where guests that included students, professors, and people from around the world, could stop in to enjoy this nostalgic exhibition.

The exhibition showed Italy during the late nineteenth century and is titled: Italy 1897 Stereotypical Views of the Bohemian Photographer Frantisek Kratky. This exhibition was in collaboration with the Honorary Consulate of the Czech Republic of Tuscany, led by Giovanna Dani Del Bianco.

Many students and professors from the Czech Republic, Slovakia, Russia, Ukraine, Poland, and several other countries, attended the event to support this beautiful cultural encounter. Although this exhibition reveals breathtaking photos of Italy’s major cities such as Rome, Florence, and Venice during the nineteenth century, there is more to their histories than just the interesting pictures. This event represents one of the primary aspects and goals of Life Beyond Tourism. It demonstrates the establishment of a cultural link between Italy and the Czech Republic and reveals how a man such as Kratky is extremely interested in discovering a culture other than his own. The manifestation conveyed more than just the major tourist attractions of Italy at the time, such as Brunelleschi’s Dome and Saint Peter’s Square. It instead revealed beyond the gorgeous architecture and into the deeper culture of Italy such as its people on the streets, the animals in the countryside, and the way the two interacted during the time period. It is here that one’s life beyond tourism actually begins. It is only when one starts to interact directly with the culture and environment in which they are surrounded, that they can create an intercultural dialogue that establishes a powerful link between two cultures.

Article by Lauren Di Bartolomeo, United States – Life Beyond Tourism University Delegate 2010

July 22, 2010

Italian architects in Odessa (Ukraine)

Hi Bloggers,

following previous Antonina’s article on the last Italian Colony in Odessa (Ukraine) we will today follow the traces of Italian architecture there … thank you again Antonina for your contribution!

“The unique appearance of Odessa city is well-known in Ukraine and abroad. Its historical architecture has a style more Mediterranean than Russian, having been heavily influenced by French and especially by Italian style.

During the first years the main residential, public buildings, the sea port were built by Italian settlers, following the projects by Italian architects and with the construction materials, transported from Naples, Genoa, and Livorno.

Odessa Architectural Heritage includes brilliant creations of Boffo, Bernadazzi, Frapolli, Torichelli, Digby, dell’Acqua and others.

The now world-famous Potemkin staircase—the globally known emblem of Odessa is actually the creation of Francesco Boffo (1837-41), an Odessa Italian who spent twenty five years of his professional life in the Russian port. Boffo readjusted the famous Roman steps of the Spanish staircase (Scalinata di Spagna) to the needs of the Odessa boulevard and port, somewhat modifying the project of Francesco de Santis (1723-26), though using the same principle. He dispensed with the Rococo elements of the original Roman steps, leaving the strictly Hellenic contours or the essence of De Santis’ Roman project.
Nearly all the buildings at the formerly Italianskaya (from Russian language: Italian), and now Pushkinskaya Street, proudly carry their solemn and dignified facades, resembling the Roman, Venetian, Turin or Milan as for example Palazzo Bigazzini. The Odessa caryatids, forming the facade of the Krasnaya (from Russian lanuage: red) Hotel, constitute a Russian replica of the older Genoa building on Via XX Settembre 14, celebrating Northern Italy in Southern Russia.

This was the design by Alexander Bernadazzi, a second generation Italian immigrant who paid_tribute to the artistic land of his ancestors. The building exudes the Splendor of St. Maria di Campitelli in Rome, the high Baroque and anticipating motifs of the art Nouveau, the spirit of Gaudi and the Vatican, and the talent of Rinaldi and Bernini, Fuga and Borromini, Madeno and Mascarino.

 

Odessa’s Mediterranean image earned the poetic labels of a “Little Barcelona”, “Little Marseilles”, “Russian Naples” or “Russian Genoa”.
Contemporary residents of Odessa are still daily exposed to the impressive urban beauty and splendor, recreated by the Italian masters. Odessa is their “mini Italy and Europe”.”

 

 

 

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